Shobana Jeyasingh Dance : We Caliban review – postcolonial take on The Tempest is difficult to (…)
York Theatre Royal Jeyasingh’s choreography is well wrought and precise but Caliban’s struggles with servitude and resistance feel adrift amid a sea of ideas Choreographer Shobana Jeyasingh originally moved to the UK in the early 1980s to study Shakespeare, so it’s safe to say she has deeply (…)
Site référencé:
The Guardian (Africa)
2003.jpg?width=140&quality=85&auto=format&fit=max&s=99da6b987e1cac9f9a98e124aa7d3cc4, 2003.jpg?width=460&quality=85&auto=format&fit=max&s=287dfeae1f2e7fcb73aa6e13e2dbe998, 2003.jpg?width=700&quality=85&auto=format&fit=max&s=89a56dfb322b88b6109432cc3544c41a
The Guardian (Africa)
The Guardian view on the price of a prince : what Virginia Giuffre’s story says about palace accountability | Editorial
20/10/2025
The Guardian view on Ukraine peace talks : Europe must ensure Zelenskyy can resist Trump’s bullying | Editorial
20/10/2025
Met police to end non-crime hate investigations after Graham Linehan case
20/10/2025
Brazil greenlights oil drilling in Amazon as environmentalists raise alarm
20/10/2025
Tory MP criticised after demanding legally settled families be deported
20/10/2025
Anti-oil activists sprayed Stonehenge orange for ‘maximum impact’, court told
20/10/2025